Want another book to add to your 2025 Newbery hopeful list? You've come to the right place. The Secret Language of Birds, by Lynne Kelly, has so many elements that I love in a middle grade novel: a main character with a fun obsession, a plot that revolves around friendship and fitting in (or learning when not to), an evocative setting, and a "plot problem" that is both realistic to the middle grade years while feeling high stakes for that character.
Here's the publisher's description: Nina is used to feeling like the odd one out, both at school and in her large family. But while trying to fit in at summer camp, she discovers something even more two majestic birds have built a nest in the marsh behind an abandoned infirmary. They appear to be whooping cranes, but that’s impossible—Nina is an amateur bird-watcher, and all her resources tell her that those rare birds haven’t nested in Texas for over a hundred years. When Nina reports the sighting to wildlife officials, more questions arise. Experts track all the endangered birds, but they can’t identify the female bird that Nina found. Who is she, and where did she come from? With the help of some fellow campers, Nina sets out to discover who the mystery bird really is. As she gets closer to the truth, will she find a flock of her own? This instant classic from award-winning author Lynne Kelly captures the coming-of-age moment of learning to spread your wings in a way you'll never forget. I think I can safely say that my very favorite types of characters in middle grade (maybe in all books?) tend to have one trait in common: they LOVE things deeply. They get obsessed. They can tell you every detail about their favorite things, whether you asked or not. So Nina's obsession with birdwatching automatically pulled me into her story—especially, okay, because birdwatching is an obsession I might just happen to share. Lynne Kelly even managed to get two of my favorite birdwatching bits of trivia into the story (how to tell the difference between young herons and egrets—hey, it comes up a lot when you live next to a river—and one I will call "the Shakespeare one" so I don't spoil it for you, but it's very funny). My children have heard me monologue for minutes on end about the recovery of the osprey population in Connecticut (as I explain WHY I am so excited about something that is now so commonplace as an osprey nest), so none of them were surprised at all when I fell in love with a book about two endangered birds and a girl who loves them. All that said… even if birdwatching holds very little interest for you, you will be pulled in by Nina's story. Because birdwatching is just a fascinating canvas on which Lynne Kelly paints the story of a girl who is learning to love who she is and to love others for who they are, too. Who is growing in her ability to accept love and to give it. Basically, a girl who is learning how to be a friend. And there's no more quintessentially middle grade story than that. Mostly, the themes in this book are appropriate for even young middle grade readers, though before you hand this off to a sensitive reader, you may want to be aware that is discusses purposeless hunting of an endangered bird. The main character also sneaks off by herself several times throughout the book and keeps secrets from adults—but both of these issues are met with consequences; she does regret her bad choices and learns from them. Have you read The Secret Language of Birds yet? What did you think? For more Marvelous Middle Grade Monday recommendations, check out Always in the Middle at http://gpattridge.com
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I have another wonderful historical fiction novel to share with you today: Light and Air, by Mindy Nichols Wendell. We have a lot going on this week (starting up homeschool with a senior in high school all the way down to a pre-pre-schooler!), so let's start out with the Publisher's description:
It's 1935, and tuberculosis is ravaging the nation. Everyone is afraid of this deadly respiratory illness. But what happens when you actually have it? When Halle and her mother both come down with TB, they are shunned—and then they are sent to the J.N. Adam Tuberculosis Hospital: far from home, far from family, far from the world. Tucked away in the woods of upstate New York, the hospital is a closed and quiet place. But it is not, Halle learns, a prison. Free of her worried and difficult father for the first time in her life, she slowly discovers joy, family, and the healing power of honey on the children's ward, where the girls on the floor become her confidantes and sisters. But when Mama suffers a lung hemorrhage, their entire future—and recovery—is thrown into question.... Light and Air deals tenderly and insightfully with isolation, quarantine, found family, and illness. Set in the fully realized world of a 1930s hospital, it offers a tender glimpse into a historical epidemic that has become more relatable than ever due to the COVID-19 pandemic. As Halle tries to warm her father’s coldness and learns to trust the girls and women of the hospital, and as she and her mother battle a disease that once paralyzed the country, a profound message of strength, hope, and healing emerges. My thoughts: I LOVED Light and Air. It had all the atmosphere and quiet building of suspense that I associate with my favorite vintage stories; in fact, Light and Air felt more like a book actually written in the early twentieth century than a modern book set then. (I can say that about very few books, and the lack of it is not necessarily a problem as much as a recognition of style, but I sure do like it when I find it.) As a head’s up to parents, this book (as you can see from the description) deals with some heavy topics: a child dies, multiple miscarriages are mentioned, and a parent suffers from depression and anxiety. None of these topics is gratuitious, however, and the plot is beautifully woven around the idea that even the dark things we go through can make us better human beings if we allow ourselves to hurt and heal. Have you read Light and Air yet? What did you think of it? Personally, I’m tucking it neatly away in my “2025 Newbery Hopeful” shelf! For more Marvelous Middle Grade Monday recommendations, be sure to visit Always in the Middle: http://gpattridge.com (Note: The publisher's description says the book is set in Upstate New York. The book itself gets it "right:" the setting is near Buffalo, in Western New York. We had a fun, friendly little argument about this over on Instagram, but all the people who actually lived near Buffalo--like I used to!--agree that Western New York is the correct term. ;) Today's featured book made me laugh out loud, cry actual tears, and think deep thoughts. I absolutely loved it. It's also a book I would never, ever have picked up as a kid. I might not even have enjoyed it, had I been forced into it. It's not because it's an adult-focused book, or one kids won't enjoy. In fact, my teenage daughter read it before I did and enjoyed every minute. It's simply because people change, and thank goodness there are books written for every step of life we take. The Tenth Mistake of Hank Hooperman, by Jennifer Choldenko, while its story might bear little resemblance to my actual life right now, was somehow, mysteriously exactly what I needed at this moment in time.
Here's the publisher's description: When eleven-year-old Hank’s mom doesn’t come home, he takes care of his toddler sister, Boo, like he always does. But it’s been a week now. They are out of food and mom has never stayed away this long… Hank knows he needs help, so he and Boo seek out the stranger listed as their emergency contact. But asking for help has consequences. It means social workers, and a new school, and having to answer questions about his mom that he's been trying to keep secret. And if they can't find his mom soon, Hank and Boo may end up in different foster homes--he could lose everything. Gennifer Choldenko has written a heart-wrenching, healing, and ultimately hopeful story about how complicated family can be. About how you can love someone, even when you can’t rely on them. And about the transformative power of second chances. It's been a bit since I read a contemporary middle grade story this compelling, or with a character so completely lovable as Hank. My long-time readers know that "issue books" aren't my thing, so I will assure you that while this story touches upon many painful topics, it is not about them. It's very much a story about a boy and his relationship with his sister and his mother, as well as his own growth in understanding of himself and his worth. As I mentioned, my teenage daughter read this before me and loved it—she warned me that it was serious in moments and would probably make me cry (yup), so I asked her "Are the sad moments like Gary D. Schmidt sad or Bridge to Terabithia sad?" Her answer: "Well, it's hard to say… It's more like Claire Swinarski sad." After finishing it, I knew exactly what she meant. Hank Hooperman hit me in the gut and pulled at my heartstrings just like Claire Swinarski's middle grade books. If I was shelving books based on their vibes and the range of emotions I felt while reading them, this one would go right next to Swinarski's The Kate In Between. If you and your kids love books like that, this is a must-read. But if you don't usually…maybe give it a chance. Books are such wonderful ways to expand our imaginations and our empathy, to grow in understanding of people whose lives are very very different from our own but who are very very worthy of love. For more Marvelous Middle Grade Monday recommendations, check out Always in the Middle: http://gpattridge.com After a long hiatus, I'm back with Marvelous Middle Grade Monday—and it's good timing, because there are some amazing books that have come out this year and I can't wait to share them with you! First up, a spectacular WWII Historical novel: The Night War, by Kimberly Brubaker Bradley. Confession: I wasn't a huge fan of Kimberly Brubaker Bradley's other historical fiction. For a variety of reasons, despite the fact that *everyone* seemed to love The War that Saved My Life, I simply couldn't connect to the main character (this says a lot, author friends, about why you have to find the right agent/editor/readers for your book and not judge its value on one opinion!). But I decided to give her another chance with The Night War, both because the description was so alluring and because I'd heard so much buzz about its merits and controversy about its authorship. (Briefly, and I'll get into this later, some readers were put off by the fact that a non-Jewish author depicted a Jewish main character.) And I'm glad I put my pre-conceived ideas aside, because I loved The Night War from the very first chapter. Here's the publisher's description: It’s 1942. German Nazis occupy much of France. And twelve-year-old Miriam, who is Jewish, is not safe. With help and quick thinking, Miri is saved from the roundup that takes her entire Jewish neighborhood. She escapes Paris, landing in a small French village, where the spires of the famous Chateau de Chenonceau rise high into the sky, its bridge across the River Cher like a promise, a fairy tale. But Miri’s life is no fairy tale. Her parents are gone—maybe alive, maybe not. Taken in at the boarding school near the chateau, pretending to be Catholic to escape Nazi capture, Miri volunteers one night to undertake a deadly task, one that spans the castle grounds, its bridge, and the very border to freedom. Here is her chance to escape—hopefully to find her parents. But will she take it? One thing is certain: The person Miri meets that night will save her life. And the person Miri becomes that night could save the lives of many more. In her return to the era of The War that Saved My Life and The War I Finally Won, Kimberly Brubaker Bradley brings a new and different story, one with a mystical twist, that explores a little-known slice of World War II history, a highly unusual friendship, and the power of choosing courage even when—especially when—there are no good choices to be had. Like most WWII stories, I would recommend this to mature middle grade readers. Besides the usual WWII prejudice and violence, there are some mentions of the mistress of King Henri of France in the 1500's, mentions of menstruation (not exactly a mature topic but one I feel children have the right to hear about from their parents first), and many theological questions that might be overwhelming for young children without guidance (though they're EXCELLENT conversation starters, and I think this would make a perfect parent-child book club or family read aloud). Back to the topic I teased before… The author is neither Jewish nor Catholic, and, yes, she gets some details wrong on both counts. (I have heard many people talk about the Jewish elements, but so far no one has mentioned the Catholic ones, like the fact that baptisms were not celebrated during Mass in the 40's, or that the rosary does not begin with the first Hail Mary of the first decade). Here's the thing. As a Catholic, I appreciate that an author tried to represent members of my faith and to do it honestly and fairly. I loved that alongside the stereotypical "mean nun," you have several spectacularly brave and kind nuns. I feel the same when male authors tell a story about a female character, or when non-homeschoolers try their best to honestly represent homeschooling, or when non-Americans make the effort to get American culture right. Especially in historical fiction, I think we have to acknowledge that NONE of us truly knows what it was like to live in a different time. No matter how much we may have in common with our characters, we historical fictions writers are stuck in the dilemma—and with the advantage—of needing to use research and imagination to get us through. I'm willing to accept a few mistakes because no one but Kimberly Brubaker Bradley could have imagined and researched and told this unique story. If I had written it, the prayers of the rosary would be correct, but the heart would be different. If a Jewish author had written it, they wouldn't have made the same mistakes about the Jewish experience, but it would be a different story. This story came to Kimberly Brubaker Bradley and no one else, and I'm very grateful that she chose to tell it. Have you read this book yet? Do you agree or disagree with my opinion? I'm always happy to have respectful conversation in the comments, and I certainly think this topic has room for varying opinions. For more Marvelous Middle Grade Monday recommendations, visit Always in the Middle, at http://gpattridge.com.
Believe it or not, this is the question that got me into serious book reviewing, about 15 years ago: "My son loves Harry Potter, but he won't read anything else! What are some books you'd recommend that would be exciting enough to tempt him to start another story?" My answer then was the same one I still give first nowadays:
Artemis Fowl, by Eoin Colfer. The action, the humor, the sci-fi "magical" world…all of it is sure to draw in the most reluctant readers. That reader I mentioned above? He dove into Book 1 and never stopped raiding his library shelves for more and more books. It took just a few months for him to consider himself an obsessive reader. I've added a few more ideas to my list since then… Many are series (because after a series you love, it can sometimes be hard to jump into a number of standalone books in a row). Almost all are humorous and adventurous and gripping. And they're all excellent on audio as well! Artemis Fowl series, by Eoin Colfer The False Prince series, by Jennifer Nielsen Roald Dahl's children's books Chitty Chitty Bang Bang, by Ian Fleming; and the new sequels by Frank Cottrell Boyce (Of all the books on this list, Chitty Chitty Bang Bang almost didn't make the cut, even though I love it. But the sequels are so fast-paced and constantly laugh-out-loud funny that I had to include them! You could always watch the movie and then skip ahead if your kids aren't ready for the slightly more slow and challenging style of the original.) Sputnik's Guide to Life on Earth, by Frank Cottrell Boyce (the audiobook's narrator is Peter Capaldi—of Doctor Who—and he does an amazing job) Cosmic, by Frank Cottrell Boyce Beneath the Swirling Sky, by Carolyn Lieloglou (this is the first in a series; the second will be released this fall) Holes, by Louis Sachar Echo, by Pam Munoz Ryan (especially wonderful on audio!) The Incorrigible Children of Ashton Place series, by Maryrose Wood (another audio book par excellence.) Redwall series, by Brian Jacques Peter and the Starcatchers series, by Dave Barry and Ridley Pearson Tuesdays at the Castle series, by Jessica Day George The Girl Who Drank the Moon, by Kelly Barnhill (slightly on the mature side, so check it out before handing to a younger child) What books would you add to the list? There's an Albert Einstein quote that [all right, rather embarrassingly] I think of almost daily:
"If you want your children to be intelligent, read them fairy tales. If you want them to be more intelligent, read them more fairy tales." Of course I love that the great physicist Einstein prioritized language and literature. But what strikes me repeatedly is that he understood that intelligence about LIFE is more important than an ability to solve an equation follow a set of rules. While modern research backs up the idea that reading and being read to improves children's academic abilities across the board, I don't think that was what Einstein was talking about. He realized, I think, that there was a danger in becoming so "educated" in career-focused skills that we would forget how to be human. Being human, and being the best humans we can be, is something that has been taught through fairy tales since stories were first uttered, I imagine. (Even Jesus taught through parables!) When I began reading Mio, My Son, by Astrid Lindgren, all I knew about it was that one of my favorite authors had written it, and one of my best-book-loving-friends (it's a whole category, you all know that) loved it. In fact, after my friend Liz wrote about it for Plough magazine back in 2021, the book's popularity took off so quickly that I literally could not find a copy anywhere. Liz came to my rescue and sent me a copy for Christmas, so I'm finally just getting on the Mio bandwagon. Start searching book sales and eBay, friends, because you're going to want to join me. Briefly, Mio is an unloved orphan boy who finds himself carried away to Farawayland, where he discovers he is in fact the beloved son of the great King. He walks in the garden with his father, rides through the fields with his magnificent horse, plays in the forest with his best friend. His life is everything he only ever dreamed of—until he becomes aware of an evil that has sidled its way into Farawayland, stealing children and turning their hearts to stone. He realizes he is the one destined to fight this evil, but he doesn't know how one little boy could conquer so strong an enemy. In many ways, Mio is vastly unlike the Astrid Lindgren books I've read thus far. Even with its madcap and unrealistic adventures, Pippi Longstocking and Ronia, the Robber's Daughter are very concretely set in the real world. More so with The Children of Noisy Village. My recent favorite, Seacrow Island, reads much like much-loved vintage stories of realistic children by Noel Streatfeild or even Beverly Cleary. Mio, on the the other hand, takes all of one chapter to let you know that you have been whisked away to fairyland just like Mio was. In that sense, it immediately brings to mind the works of Tolkien and Lewis and MacDonald (especially MacDonald in tone, and especially Tolkien in theme). With a genie in a bottle and a magic sword and children whisked away by an evil knight, it's as fairy tale as fairy tales get. And yet. The Astrid-Lindgren-ness of Astrid Lindgren can't help itself. Because where Mio shines is its portrayal of a very real, very human child. Mio, in his normal longing for a father and for a friend and for a pet, is every bit as concretely (and sometimes hilariously) human as Pippi or Tommy and Annika. Like every great fairy tale (and, again, this is what I think Einstein was talking about), Mio asks important—human—questions: How do we handle the loss of ones we love? How can we do the hard things that have to be done? Is there someone who could ever love us unconditionally? It answers these questions, not directly, but by inference, and perhaps that's what makes them stick all the better. The most striking feeling I came away with after closing the cover was this: "I am loved. And that love will give me the strength to do any hard thing that needs to be done." I highly recommend Liz's article for a more thoughtfully intellectual take on this story; I'm not sure if it was a mistake or a wise move, but I read her article right before sitting down to write this, and I found that she had already articulated 90% of my thoughts so perfectly that it was futile to reiterate them! Have you read Mio already? I'd love to know your thoughts! For more Marvelous Middle Grade Monday recommendations, check out Always in the Middle! Happy Marvelous Middle Grade Monday, and happy Middle Grade March! I've got such a fun line up of books I hope to read this month, share with my kids, and share with all of you (you can check out my hopefuls on Instagram), and today I'm starting with a new middle grade ghost story: The Girl in the Window, by Lindsey Hobson, published by Monarch Books.
Here's the publisher's description: When Izzy breaks a window in the creepy house next door, her summer plans suddenly go from playing baseball in the backyard to doing yard work for mysterious Mr. Johnson to pay for the damage. Just when she thinks it can't get any worse, she encounters a ghost girl with a cryptic HELP ME. As Izzy begins to unravel the mystery surrounding the girl's death, she discovers a whole new meaning to being friends... forever. What I liked: I always enjoy sibling stories, and the sibling dynamic in this was realistic and a lot of fun. It's been a while since I read a good kids-playing-baseball-in-the-backyard book, and I loved that element! (Anyone have any good recommendations of other books that fit that bill?) One of my favorite story tropes, no matter how often it may be done, is that of misjudging someone and learning you were wrong. It's such an important lesson, isn't it? One I need to be reminded of, over and over and over. I hope it's not too much of a spoiler, but that theme features heavily in The Girl in the Window. There were a few things that kept this from being a five-star read for me: I know, I know, my husband is an artist and I'm extremely picky. But I wish the publishers had gone with a different direction with the cover, which I felt didn't express the overall feel of the story very well. I also felt that the shift from not-as-spooky-as-you'd-think to very-spooky was very jarring. I'm all for fun twists, but the editor in me wanted to see more foreshadowing throughout. Overall, however, I found this to be a fun and interesting story that middle grade fans of Nancy Drew, who like a taste of the suspenseful and scary, will very much enjoy! For more Marvelous Middle Grade Monday recommendation, check out Always in the Middle. I used to be a huge fan of Young Adult books. Back in 2009, when I started reviewing books, I’d be sure that on every trip to the library, I picked up at least one book from the teen section. There was a lot I had loved about being a teenager, and it was special to see those experiences recreated on the pages of books. The circumstances were different, of course, but the feelings were there. The tension between being a child and being an adult...the fear of being asked to grow up too quickly...the pride at being able to step into the world of business and academics...the startling wonder of falling in love...
And then, somewhere along the line, the trends got darker and more intense and I no longer saw much of myself at all in those stories. Instead, the middle grade that I had always loved became more and more mature, until I mentally (and often literally) had to label them as “Early Middle Grade” and “Upper Middle Grade.” The Upper Middle Grade category had more or less replaced what YA used to be. Change is inevitable, and while I could lament this one at more length, it serves little purpose. Publishers publish what they think will sell, and the consumers determine the market. Tastes vary. I was in the minority, apparently. I thought I was alone altogether. But I’m just beginning to see a shift, a shift that tells me that more and more consumers are hoping for YA books with a little more innocent love, a little less passion; a little less violence, a little more adventure. More wonder. More newness. More overcoming of that good old teenage angst and less of letting it define us. On the front lines of this shift are the books of Owl’s Nest Publishers—a fairly new publishing house that has impressed me tremendously with the quality and content of their books. So let’s move on the actual review part of this essay, shall we, before my soap box tumbles? Thread of Dreams, by Emily Barnett, is a YA fantasy about a girl named Nova who lives in a world called Lyra—a world with no sun, where the moon shines at night and darknight is a time where evil and danger lurks. Lyra is connected to Earth through a rift that allows Lyran harvesters, such as Nova, to enter the dreams of humans and harvest moments of these dreams as threads that provide energy and power in Lyra. The humans can’t see the Lyrans—or they shouldn’t be able to. But one day Nova enters the dream of a boy named Arlo, who very much sees her and very much wants to know what she’s doing in his subconscious. Alight with the possibility that the world is not so closed off and hopeless as the Ancients of Lyra would have her believe, Nova finds a way to visit Arlo again and again...until an accident puts them both—and possibly Nova’s entire world—at risk. C. S. Lewis once said, “Even in literature and art, no man who bothers about originality will ever be original: whereas if you simply try to tell the truth (without caring twopence how often it has been told before) you will, nine times out of ten, become original without ever having noticed it.” Thread of Dreams is a good example of this. It feels wholly original and new to me. Yet it reminded me strongly of some of my favorite books: The Chronicles of Narnia, A Wrinkle in Time, even slightly of the more recent Lunar Chronicles. But it was not because Thread of Dreams was derivative in any way. Emily Barnett didn’t steal any plot points. She simply told the same truth. And some of those truths that Thread of Dreams tells are the very truths that drew me to the YA genre in the first place: Growing up means learning to let go of ourselves to find who we truly are. There is power in family and friendship and romantic love—different loves that we need at different moments. Wisdom lies in accepting oneself while still trying to better oneself. And the great, overarching truth: Love is stronger than hate. It will always overcome. Thread of Dreams releases on March 28, but you can pre-order it now from Owl's Nest, and I encourage you to do so! I highly recommend it for ages 12 (or a mature 11) and up. Happy Marvelous Middle Grade Monday, everyone! I love stories that blend old-world legends with new-world settings, so I was thrilled to read the description of the recently-released The Selkie’s Daughter, by Linda Crotta Brennan:
A richly imagined fantasy set in Nova Scotia where a young girl—part selkie, part human—must save her family... Brigit knows all the old songs and legends of Neve, the daughter of the sea god; of the warrior Finn MacCool; and of people who are not quite human. But Brigit knows the truth. It’s evident in the webbing between her fingers– webbing that must be cut. She’s the daughter of a selkie. A truth she must keep secret from everyone. But someone in her village is killing young seals. Angering the king of the selkie clan, who vows revenge. A curse that will bring storm, sickness, and death. To protect those she loves, Brigit must find a way to Sule Skerrie, the land of selkies, to confront the Great Selkie and protect the young seals from harm. Like sitting by a warm fireplace, The Selkie’s Daughter is an imaginative fantasy, steeped in Celtic mythology and rich with detail. Perfect for fans of mermaids and Studio Ghibli-esque stories. A few things I especially loved: —the setting. I suppose L. M. Montgomery got me hooked on stories set in Eastern Canada. I also have ancestors from this part of the world, so it holds a special pull for me. Linda Crotta Brennan did a brilliant job of bringing the Nova Scotia coast to life, vividly and intriguingly. —the characters. Oh, Brigit was wonderful! Heroic and bold when she needed to be, but also quiet, compassionate, and conflicted. The secondary characters are complex and conflicted as well; Alys and Margaret, Brigit’s aunt and cousin are both caring and kind to Brigit while turning a blind eye to the evil in their immediate family. I loved Peter, the newcomer to the village and Brigit’s faithful friend, as well as his uncle Agnus, the village’s Catholic priest. In a time when books are saturated with Catholic priests turning out to be the bad guys, I was touched to see Father Agnus was a priest like the ones I know: balanced, generous, and possessed of a hearty sense of humor. —the pacing. I expected a slow story, to be honest. And while I won’t say that The Selkie’s Daughter was fast-paced and adventure-packed, its perfectly drawn out drama and tension left me wanting to turn page after page. I couldn’t wait to find out what would happen next! All in all, this was a story I will heartily recommend and can’t wait to share with my children. For more Marvelous Middle Grade Monday recommendations, be sure to check out Always in the Middle! As many of you know already, I have a dear love for vintage middle grade books. So I decided once a month to do a “throwback” review of a classic/vintage/backlist title that I think deserves a little extra attention. Up first... the WWII historical novel by my beloved Hilda van Stockum: The Borrowed House.
The Borrowed House was van Stockum’s favorite of all her books; I’m not sure she could ever supplant Friendly Gables in that #1 spot for me, but The Borrowed House definitely stands out from the author’s other work. Even though the first Mitchells’ book (The Mitchells: Five for Victory) is set during the Second World War, its American homefront location removes it from much of the immediacy and danger that is ever-present in the Germany/Netherlands setting of The Borrowed House. This one...is not for the faint of heart. Don’t get me wrong. I think The Borrowed House is a masterpiece and a brilliant piece of children’s literature. But I was expecting the light-hearted romps of the Mitchells and instead got a story told from the point of view of Janna, a Nazi Youth member who believes all Jews and Slavs are evil and inferior and she herself is the part of the godlike race destined to overcome all obstacles and rule the earth. Janna is interesting and complicated and good-hearted—but she has been trained to think herself superior and above the rules. Right within the first few pages, she lies to her guardian to get out of chores she dislikes, and laughingly explains to a Nazi friend why all Jews deserve to be punished for their evil ways. AND YET. Hilda van Stockum’s mastery of her craft is fully on display in these first few chapters. Because even as we recoil at Janna’s racist, entitled ways, we witness the indoctrination she has been subjected to. We see the neglect she has suffered, making her more likely to admire the leaders of the Nazi Youth movement, who praise and welcome her. When she reunites with her parents in the second chapter, we see that this complicated nature applies to them as well. Yes, her mother has been a neglectful mother and a less than perfect wife. Yes, her father is somewhat domineering and completely brainwashed by fascist propoganda. But they’re still real people with real hurts and real struggles and real victories. This attention to detail in her characters is what makes The Borrowed House stand out. There’s not a single character, down to a random train passenger or an SS guard, who isn’t given another facet of personality for us to see. Some characters are worse upon further inspection. Many are much better. More importantly, throughout the story we are given the chance to see the weaker characters, particularly Janna of course, develop and grow. Having no foreknowledge of this story, I was completely surprised and enchanted by some of the plot twists (okay, okay, I’m a writer on the look-out for certain twists, so let’s say more honestly that I was somewhat surprised and completely enchanted) I encountered midway through the book. Without spoiling it for all of you with too much detail, Janna meets a member of the Dutch resistance, a teenage boy who is forging documents to help smuggle Jewish people and other “undesirables” out of Holland. Encountering him forces Janna to face her prejudices and assumptions head-on, as he displays the virtues she recognizes as good and true and noble, while the more acceptable German family who shares her home displays qualities she rightly recognizes as reprehensible. A lot of people hate the ending of The Borrowed House. Again, no spoilers, but I thought it was perfect. It was a mature ending for a book intended for mature young readers. We’ve already had a good helping of neglect and brainwashing and prejudice and sexual harrassment and, you know, murder. So I could handle the loss of a different sort that Janna suffers at the book’s conclusion. It broke my heart as it broke Janna’s—but hard hearts need to break to make room for the love and goodness they were intended to feel. Losses are needed to make room for true gain, for moving forward in the right direction. For more Marvelous Middle Grade Monday recommendations, be sure to check out Always in the Middle! |
About meHi! I'm Faith. I blog about books and creativity, family and faith. Welcome! Archives
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