There's an Albert Einstein quote that [all right, rather embarrassingly] I think of almost daily:
"If you want your children to be intelligent, read them fairy tales. If you want them to be more intelligent, read them more fairy tales." Of course I love that the great physicist Einstein prioritized language and literature. But what strikes me repeatedly is that he understood that intelligence about LIFE is more important than an ability to solve an equation follow a set of rules. While modern research backs up the idea that reading and being read to improves children's academic abilities across the board, I don't think that was what Einstein was talking about. He realized, I think, that there was a danger in becoming so "educated" in career-focused skills that we would forget how to be human. Being human, and being the best humans we can be, is something that has been taught through fairy tales since stories were first uttered, I imagine. (Even Jesus taught through parables!) When I began reading Mio, My Son, by Astrid Lindgren, all I knew about it was that one of my favorite authors had written it, and one of my best-book-loving-friends (it's a whole category, you all know that) loved it. In fact, after my friend Liz wrote about it for Plough magazine back in 2021, the book's popularity took off so quickly that I literally could not find a copy anywhere. Liz came to my rescue and sent me a copy for Christmas, so I'm finally just getting on the Mio bandwagon. Start searching book sales and eBay, friends, because you're going to want to join me. Briefly, Mio is an unloved orphan boy who finds himself carried away to Farawayland, where he discovers he is in fact the beloved son of the great King. He walks in the garden with his father, rides through the fields with his magnificent horse, plays in the forest with his best friend. His life is everything he only ever dreamed of—until he becomes aware of an evil that has sidled its way into Farawayland, stealing children and turning their hearts to stone. He realizes he is the one destined to fight this evil, but he doesn't know how one little boy could conquer so strong an enemy. In many ways, Mio is vastly unlike the Astrid Lindgren books I've read thus far. Even with its madcap and unrealistic adventures, Pippi Longstocking and Ronia, the Robber's Daughter are very concretely set in the real world. More so with The Children of Noisy Village. My recent favorite, Seacrow Island, reads much like much-loved vintage stories of realistic children by Noel Streatfeild or even Beverly Cleary. Mio, on the the other hand, takes all of one chapter to let you know that you have been whisked away to fairyland just like Mio was. In that sense, it immediately brings to mind the works of Tolkien and Lewis and MacDonald (especially MacDonald in tone, and especially Tolkien in theme). With a genie in a bottle and a magic sword and children whisked away by an evil knight, it's as fairy tale as fairy tales get. And yet. The Astrid-Lindgren-ness of Astrid Lindgren can't help itself. Because where Mio shines is its portrayal of a very real, very human child. Mio, in his normal longing for a father and for a friend and for a pet, is every bit as concretely (and sometimes hilariously) human as Pippi or Tommy and Annika. Like every great fairy tale (and, again, this is what I think Einstein was talking about), Mio asks important—human—questions: How do we handle the loss of ones we love? How can we do the hard things that have to be done? Is there someone who could ever love us unconditionally? It answers these questions, not directly, but by inference, and perhaps that's what makes them stick all the better. The most striking feeling I came away with after closing the cover was this: "I am loved. And that love will give me the strength to do any hard thing that needs to be done." I highly recommend Liz's article for a more thoughtfully intellectual take on this story; I'm not sure if it was a mistake or a wise move, but I read her article right before sitting down to write this, and I found that she had already articulated 90% of my thoughts so perfectly that it was futile to reiterate them! Have you read Mio already? I'd love to know your thoughts! For more Marvelous Middle Grade Monday recommendations, check out Always in the Middle!
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They say don’t judge a book by its cover. I try not to. I do, however, judge most books—at least a smidgen—by their first sentence. And The Many Assassinations of Samir, Seller of Dreams begins with a five star string of words. “The first time I was stoned to death by an angry mob, I was not even a criminal.” I didn’t even mean to keep reading (I have a to-read list a mile long, after all!) but I couldn’t help myself after a sentence like that. I was immediately pulled along with Omar (soon nicknamed Monkey) and his delightful, wheedling, story-selling master Samir as they sell their wares and wheedle for their lives along the ancient Silk Road.
This story is hard to summarize without spoilers, as so much depends on you following along with Monkey’s spellbinding narration. So, just to be sure I don’t say too much, here is how the publisher took on this difficult task: This is the tale of an exciting journey along the Silk Road with a young Monk and his newfound guardian, Samir, a larger than life character and the so-called “Seller of Dreams”. The man is a scammer; his biggest skill being the ability to talk his way into getting what he wants. While that talking did save Monkey’s life, it has left a lot of people furious with Samir— furious enough to hire assassins. Monkey decides to try and save Samir from the attempts on his life—as a way to pay off his debt! If he can save Samir six times, he’ll be a free man...but will they all survive that long? I loved the drama. I loved the perfectly timed and humorously handled forays into philosophy. I loved Monkey, with his uptight and cautious ways, and I loved Samir (the Professor Harold Hill of the Silk Road, if ever there was one). And I loved the storytelling most of all. Like Nayeri’s masterpiece Everything Sad is Untrue, this book is full of beautiful scenes and beautiful sentences and beautiful sentiments. Storytellers, you have a lot to learn on its pages. Story lovers, I defy you not to be entranced. For more Marvelous Middle Grade Monday recommendations, visit Always in the Middle! Besides being amazing writers, do you know what Lewis Carrol, J. R. R. Tolkien, C. S. Lewis, T. H. White, G. K. Chesterton, Madeleine L’Engle, Brian Jacques, and Neil Gaiman (and many, many others) have in common? They were all deeply influenced by the writing of a humble Scottish minister and pioneer of fantasy literature, George MacDonald. Sarah Mackenzie, author of The Read Aloud Family, often discusses a concept she calls “reading upstream.” Basically, use your love of a certain book or author as a starting point to explore more books and authors. If you delve into the things that influenced that writer or work, you’re “reading upstream” and gaining a greater understanding of the thing you love—as well as finding new things to love! If you begin reading upstream of almost any fantasy author of the past century, you’re going to find yourself at a big river of inspiration called George MacDonald. I’ve read a few of MacDonald’s works aloud to my family—they’re particular fans of The Princess and the Goblin illustrated by Arthur Hughes. But it can be hard to find some of his lesser-known works, so I was thrilled when I discovered that Word on Fire Spark just came out with a beautiful new edition of The Golden Key, including two more of MacDonald’s lesser-read fairy tales, The Light Princess and Little Daylight. Just look at this beautiful cover! And the illustrations by Anastasia Nesterova are perfect for these stories (which is saying a lot, considering that MacDonald has been illustrated by some of the greatest artists of the golden age of illustration). While each of the stories in this collection are fairy tales rich with symbolism, they are very different from one another. The Golden Key is about two neglected children who stumble into a fairy world and must go on a quest. The Light Princess is a wry and humorous story about a princess whose gravity (both on a physical and metaphorical level) has been stolen by an evil witch. Little Daylight highlights MacDonald’s humor as he creates a topsy-turvy verson of Sleeping Beauty, in which the princess is cursed to sleep during the day and wax and wane like the moon when she awakes at night. For those of us who have the pleasure of reading MacDonald in a post-Tolkien age, it’s impossible to read without Tolkien’s thoughts on fairy stories intruding (pleasantly) into our minds. Take this quote, for example, from his essay On Fairy-Stories: "It was in fairy-stories that I first divined the potency of the words, and the wonder of things, such as stone, and wood, and iron; tree and grass; house and fire; bread and wine." You don’t have to search hard in MacDonald’s stories to find this potency and wonder. But what struck me most on my current reading was another fairy story element Tolkien wrote of at length: that of the comfort of finding true joy and happy endings. In today’s world, you only need to pick up your phone to find a world full of unhappy stories. So perhaps fairy stories, with their reminder that happy endings are possible and true, are more important now than ever. Did you ever hear the Albert Eistein quote about fairy tales? “If you want your children to be intelligent,” he said, “read them fairy tales. If you want them to be very intelligent, read them more fairy tales.” Tokien or Lewis or L’Engle might adapt that for today’s audiences. I certainly will: “If you want your children to be resilient… to be faithful… to be hopeful… to be kind… read them fairy tales. If you want them to be saints and heroes, read them more fairy tales.” The Golden Key is a good place to start. Here is the link to order from Word on Fire Spark (I think it’s on sale right now!): https://bookstore.wordonfire.org/products/the-golden-key For more Marvelous Middle Grade Monday recommendations, check out Always in the Middle! |
About meHi! I'm Faith. I blog about books and creativity, family and faith. Welcome! Archives
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